
Photo by u042eu043bu0438u044f u041eu0432u0447u0438u043du043du0438u043au043eu0432u0430 on Pexels.com
I’m dangerous with a glue gun
comin’ for your money venom,
decorate the chimney tops
with button drops,
okay
ginger Tay–
when they spoke of blood crying from the dust
for vengeance
they never said the blood would be ours,
but my wounds
under the peppermint moon
knew
you weren’t coming back
with the bite
of my heart
you’d ripped out with your leaving–
but instead of vengeance
I want someone to feel what I have felt,
I want someone to know how I’ve
chased a child’s sugar high
for my whole life,
but find
glue instead of icing
between my teeth
whenever I seek
a new house to believe in–
but they aren’t playing for the price of feeling;
so call me a calamity,
chomping Ginger Tay’s face
and Gregory’s knees
to make myself feel clean,
call me a hungry fast fed peasant
kneeling at the tree,
call me a lost and lonely illusionist
with the lights decked out on Christmas Eve,
call me a crier
building up the past
in gingerbread walls
without the magic recipe
I still believe in,
call me a liar
with hot glue
making memories last forever
even if they taste bad,
call me a critic
when you come crashing home
for the cash
for the greed
of the feast
and I do it
to remember,
just know I’m dangerous
when I reconstruct the truth
with the weapons I have,
just keep an eye peeled
when it doesn’t decorate you the hero
and just know
I leave this candy house empty,
to keep your presence here
sweeter than memories where you to stayed.
In the tapestry of chaos and creation, the glue gun weaves a narrative, stitching together the bittersweet fragments of memories. Beneath the gingerbread facade lies a profound search for meaning, where reconstructing truths with unconventional weapons becomes a quest for the sweet endurance of presence over the transient allure of decorated heroes.
LikeLiked by 2 people